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[tense music playing,
ticking noises]

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[theme music playing]

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The thing
inside of me, it's like...

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the appetite,
it's like a wolf that's...

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feeling...
the hunger.

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[dramatic chord strike]

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While it's really
developmentally normal

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for teenagers to feel
intense emotions

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around their relationships.

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And so when you think about
the unrestrained emotions

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of teenagers
and the poor impulse control

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that is a very natural marker
of being a teenager,

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the front of the brain where

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we have decision making,

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where we have
measured reasoning,

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is still very
much developing.

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But the problem we have is that
they spun out of control

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to a level that most teenagers
would never take it.

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I mean, this could be
the perfect situation for Bargo

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to take that first step
into engaging in a murder.

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It sets the perfect stage.

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He's already fantasized
about killing

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and destruction of property.

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It's on the course to being
an antisocial personality,

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which eventually
can become psychopathy.

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And then there's this issue
with Seath Jackson, where he was

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challenged to a fight
and he stepped down.

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What we see here is it could be
sort of a narcissistic wound.

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It's a blow to his ego,
a tarnish to his image

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that he's not living up to this,
you know, big, bold, brave,

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you know, gangster image

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that he's putting out
to these kids.

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Bargo is manipulating all of
those around him into thinking

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that he has some kind of power
that he actually doesn't have.

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And he's chosen, right,
little teenagers as his audience

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because he knows
that he can manipulate them

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easier than his own
same-age peers

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or adults that actually
live this life.

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[dramatic chord strike]

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Is there a level
of sadism here?

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Potentially.

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I think what Bargo is really
doing is, again,

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eliciting the fear.

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Fear is the thing that he gets
gratification from.

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You can't get fear from
a dead body.

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You can only get fear from
someone that's alive.

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The more fear he can evoke from
these kids,

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the more intoxicated he's going
to feel.

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[Dr. Vienna]
I think at this point,
Amber's demeanor of being

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so meek and mild and mellow,
and the soft tone, is really

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trying to manipulate
the detective into seeing

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her as the victim
in the whole situation.

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She's giving accounts that
she was abused

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and Seath
cheated on her,

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but she's just trying
to create a narrative

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that suits her at this point.

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In looking at Amber Wright's
phone data,

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what detectives
figure out is that Wright

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initiates a text message
to Seath Jackson

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on the night
of his murder.

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And she says that she wants
to work things out.

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She asks him to, quote unquote,
meet her at home.

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Sadly, Wright's ability
to successfully manipulate him

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caused him to walk right into
this trap.

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So what she's showing us is
a much greater capacity

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to manipulate people,
a much greater capacity

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to utilize her femininity,
her sexuality, and her softness,

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when she needs to access it

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to get people to believe
she's credible

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and that what she's
telling them is the truth.

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[detective]
Can we agree with that?

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[Dr. De La Torre]
Is Wright demonstrating
a level of narcissism?

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She absolutely is.

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She's otherizing
both the two people
that are supposed

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to be her friends,
including her brother.

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She's still not willing
to admit that she is, in fact,

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this thing.

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She calls other people
murderers, but I don't think

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she fully incorporates
her level of culpability.

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She thinks that she did this as
a way of maybe placating Bargo,

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or maybe as a way
of getting back at Seath.

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But in her mind,
she never really thought

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that she was guilty of a crime.

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Detectives give her
an opportunity to
course correct,

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to come clean at this juncture.

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She doubles down
on being a victim,

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on being the wronged party.

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She now pins it on Bargo.

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she's unwilling to attach
herself to any real culpability,

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and she's promoting this idea
that she's a victim.

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That is consistent
with somebody

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who has a pattern of
failure to take responsibility.

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Certainly we see that
in a variety of circumstances,

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including with budding
psychopathic individuals.

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[Dr. Sahni]
What we see with Bargo

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is a more
criminally sophisticated person.

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He's smart enough to know
that his best strategy

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is to say nothing,
ask for a lawyer,

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and let the investigators run
with the investigation

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and do whatever
they were gonna do.

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But what it also does
for a psychopathic individual,

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it maintains control.

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They are still
in the driver's seat,

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and they're not willing

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to play ball on
law enforcement's terms.

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Bargo is accused of planning

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and carrying out the murder

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of 15-year-old
Seath Jackson.

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Four others have already been
convicted of the crime.

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Bargo is the accused mastermind
of the 2011 murder

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of 15-year-old Seath Jackson
because of a dispute

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over a girl, Amber Wright.

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Investigators say
he and four others

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lured Jackson to a home,
beat him and shot him to death,

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then dismembered his body,
burned the remains

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and concealed them
in paint cans.

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[woman]
In fact, isn't it true

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that the reason you
and Seath were feuding

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is because she cheated
on Seath with you?

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She never cheated on Seath
with me.

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She never did anything with me.

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[woman]
And you've come in here now
and you've made up this story,

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about Seath raping her
and Seath beating her,

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when that was not the reason
you guys were fighting at all.

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I never made up a story.

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I never told you something that
I didn't already hear from her.

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[woman]
So somehow, again,

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you're just a misunderstood
victim in this whole thing.

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Somehow, I got dragged in
the middle of it.

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He said that he pulled
a gun out on him

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and started shooting,
coming from Seath,

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that he didn't know
what it was.

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So he said, what he told me was,
that he came too far

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and it was -- it was too late.

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He said he then shot him
a couple more times in the head.

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He said they --
they freaked out.

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He said the girls were crying.

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He said he freaked out.

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[man]
OK, what about, was there
a plan in this or anywhere?

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No, he said that when he came
out, he was just there.

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He just said Seath
was just there,

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and he tried to get him
to leave.

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He wouldn't leave.

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[man]
What did you say
as a result of that?

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I said --
I didn't know what to say.

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I mean, he just told me
that Seath was there

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and that
he wouldn't leave.

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And he tried making him leave.

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[man] Where was the body
at that point?

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[Bargo]
When I came home,
while he was talking to me,

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the body was already
in the fire,

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that's what he ended up
telling me.

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The jury, they don't need to be
lie detectors,

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they can clearly see
that everything he is saying,

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he's making up,
right then and there,

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because his own
ego won't allow him to just

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take responsibility
of this thing.

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But the reality of narcissism
is that

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it's -- it's made
out of sugar glass, right?

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It's not real.

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It can easily be penetrated
when confronted.

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And here we have him
being confronted,

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for actually probably
the first time,

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already as an 18-year-old
who thinks himself to be a man,

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who has been able to manipulate

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little girls and little boys
all around him,

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to be confronted by a woman
in which -- in this scenario,

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it puts him on tilt,
puts him on edge.

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He doesn't like that
he has to defend himself.

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He doesn't like that he's being
challenged in this way.

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One of the things
that I have to wonder is,

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because the majority of these
individuals were teenagers,

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they were young, young
adults, underdeveloped,

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how much of

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their willingness to
sensationalize the acts,

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to enjoy the attention, to get
a sort of secondary social high

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off of doing bad, is really what
fed their motivation.

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That what we had was one person
in Mike Bargo,

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who dropped some dye in a pool

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and just watched it spread

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in this very infectious way.

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And Amber Wright comes along
and offers the justification,

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gives a method that allows
everybody else's conscience

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to get with the plan,

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because Seath Jackson
is a problematic human being.

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And that...

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willingness to all allow
themselves to be involved

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speaks to some disruption
in each and every one

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of their development,
moral development, conscience.

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♪♪

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♪♪

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♪♪

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♪♪

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♪♪